The 2021 North Carolina Writing Workshop: November 13, 2021

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, 2019 and 2020 events in North Carolina, Writing Day Workshops is excited to announce The 2021 North Carolina Writing Workshop — an online “How to Get Published” writing event on November 13, 2021. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2021 North Carolina Writing Workshop!

ONLINE: The 2021 NCWW is an Online Conference to keep everyone safe, on November 13, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on November 13, 2021. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “North Carolina” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2021 NCWW agent faculty so far includes:

  • literary agent Amanda Orozco (Transatlantic Agency)
  • literary agent Rena Rossner (Deborah Harris Literary Agency)
  • literary agent Chelsey Heller (Aevitas Creative Management)
  • literary agent Jennifer Herrington (Harvey Klinger Literary)
  • literary agent Leah Pierre (Ladderbird Literary)
  • literary agent Amaryah Orenstein (Go Literary)
  • literary agent Barb Roose (Books & Such Literary)
  • literary agent Erin Hosier (Dunow, Carlson and Lerner)
  • literary agent Lindsay Auld (Writers House)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Kelly Peterson (Rees Literary)
  • literary agent Jill Marr (Sandra Dijkstra Literary Agency)
  • literary agent Eva Scalzo (Speilburg Literary)
  • literary agent Erin Clyburn (Jennifer De Chiara Literary)
  • literary agent Elizabeth Copps (Copps Literary Services)
  • literary agent Reiko Davis (Defiore and Company)
  • literary agent Joelle Delbourgo (Joelle Delbourgo Associates)
  • literary agent Elizabeth Kracht (Kimberley Cameron & Associates)
  • literary agent Paul S. Levine (Paul S. Levine Literary)
  • literary agent Ella Marie Shupe (Belcastro Agency)
  • literary agent Cecilia Lyra (P.S. Literary)
  • literary agent Latoya C. Smith (LCS Literary)
  • literary agent Savannah Brooks (Jennifer De Chiara Literary)
  • literary agent Jared Johnson (Olswanger Literary)
  • literary agent Alec Shane (Writers House)
  • literary agent Analieze Cervantes (Harvey Klinger Literary Agency)
  • literary agent Linda S. Glaz (Hartline Literary)
  • literary agent Paige Sisley (Cooke McDermid Literary Management)
  • literary agent Paige Terlip (Andrea Brown Literary Agency)
  • literary agent Gordon Warnock (Fuse Literary)
  • literary agent Amy Guiffrida (Jennifer De Chiara Literary)
  • literary agent Kaitlyn Johnson (Belcastro Agency)
  • and probably more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2021 NCWW is an Online Conference to keep everyone safe, on November 13, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (NOVEMBER 13, 2021):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

SATURDAY, NOVEMBER 13, 2021

9:30 – 10:30: XXX. TBD.

10:45 – 11:45: XXX. TBD.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: XXX. TBD.

4:00 – 5:00: XXX. TBD.

 

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Amanda Orozco is a literary agent with Transatlantic Agency. For fiction, she’s looking for YA contemporary romance and fantasy, as well as literary and upmarket adult fiction in the contemporary, speculative, horror, and romance genres. She has a soft spot for coming-of-age stories, short story collections, and the occasional urban fantasy. For nonfiction, she’s interested in stories that offer fresh cultural, political, and/or social critiques along with personal narratives on art, pop culture, tech, and forgotten, unexamined history. She is looking for perspectives from the margins or from emerging artists and academics with original ideas and sharp commentary. Learn more about Amanda here.

Leah Pierre is a literary agent with Ladderbird Literary. In young adult as well as adult fiction, she is seeking some fantasy, romantic meet-cute stories, realistic and raw family-centered novels, mysteries, psychological thrillers, fairy tale retellings, espionage/heist, historical fiction and fantasy, social justice inspired stories, romance (ideally interracial or at least something out of the ordinary). In new adult fiction, she seeks romance (again, interracial or at least something out of the ordinary), coming of age, F/F friendship, and books about the college experience as well as the post-college experience. Learn more about Leah here.

Rena Rossner is a literary agent with The Deborah Harris Literary Agency. “I represent picture books, chapter books, middle grade and young adult. In terms of adult fiction, I look for literary, historical, fantasy & science fiction, romance, and thrillers, though I am open to all genres. Nonfiction: in all genres, but it depends on the project. I have a love for history, food, and literary science writing, but am open to anything. You will steal my heart if there is some kind of Middle Eastern, Israeli, or Jewish setting, theme, or character, in any genre, but those are certainly not the only types of books I represent.” Learn more about Rena here

Lindsay Auld is a literary agent with Writers House, LLC.  “I’m seeking: books in the picture book, middle grade, and young adult categories, including illustrated and graphic novel submissions. I’m particularly drawn to mysteries, fantasy, historical fiction, friendship stories, romance, magical realism, adventure, and books with humor–light or dark or both. As someone who is an environmentalist at heart, I would be happy to read submissions with an environmental element or streak. I would also love to see manuscripts from diverse and underrepresented authors and artists. I’ve always been passionate about children’s and young adult literature, and, as an agent, I’m eager to help bring fresh voices, characters and stories to a new generation of readers.” Learn more about Lindsay here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Savvy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Chelsey Heller is a literary agent with Aevitas Creative Management. As an agent, she is seeking nonfiction across all categories, especially self-help, memoir, narrative nonfiction, pop culture, history, big ideas, popular science, and cookbooks. She is particularly drawn to fresh narratives, whether in the form of history explored through a new lens, an innovative concept that stokes self-improvement, or an electric voice in memoir. She is also seeking fiction across psychological suspense, thriller, commercial fiction, historical fiction, and crime fiction. Learn more about Chelsey here.

Erin Clyburn is a literary agent with The Jennifer De Chiara Literary Agency. She seeks middle grade and young adult. In adult fiction, she seeks upmarket and book club fiction, sharp women’s fiction, domestic and psychological thrillers (especially by BIPOC authors), mystery, humorous and satirical novels, horror of all stripes, multigenerational family sagas (I would love one by a BIPOC author set in the South), grounded stories with magical or speculative elements, and Southern Gothic. In adult nonfiction, she seeks narrative nonfiction or memoir about sports or adventure, pop science, high-interest nonfiction, cookbooks and culinary histories, and science- or culture-focused memoirs and narrative nonfiction. Learn more about Erin here.

Barb Roose is a literary agent with Books & Such Literary. Barb represents nonfiction and adult fiction exclusively to Christian publishers. She loves partnering with authors to achieve their publishing career goals. With experience as an author, award-winning pharmaceutical sales representative and executive leader in the megachurch environment, Barb embraces the challenges and opportunities that agenting in Christian publishing offers. Her desire is to come alongside hopeful and established authors to create the most marketable, appealing manuscripts that will build lasting careers and influence readers. Learn more about Barb here.

Elizabeth Kracht is a literary agent with Kimberley Cameron & Associates. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings. In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories. Learn more about Elizabeth here.

Kelly Peterson is a literary agent with Rees Literary. Kelly seeks manuscripts in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she loves fantasy, sci-fi, and contemporary that touches on tough issues for young readers. Her Young Adult preferences vary from contemporary to high fantasy, sci-fi (not the space kind) to paranormal (all the ghost stories, please!), and historical all the way back to rom-coms. Kelly is proud to continue to represent Adult manuscripts in romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies. Learn more about Kelly here.

Paige Sisley is an literary agent at CookeMcDermid Literary Management. She is seeking well-written upmarket fiction that both entertains and has something to say, and she is always on the lookout for non-fiction in the memoir, lifestyle, and health & wellness areas. In addition to managing her own list, Paige oversees CookeMcDermid clients’ film and TV rights and handles marketing and publicity for the agency. Learn more about Paige here.

Ella Marie Shupe is a literary agent with Belcastro Agency. In adult fiction, she is seeking: mystery, thriller, suspense, science fiction, fantasy, women’s fiction, and historical fiction. In young adult, she is seeking thriller, suspense, mystery, detective, and historical. “I am always looking for #OwnVoices authors. I love fast-paced stories that keep me on the edge of my seat.” Learn more about Ella Marie here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Eva Scalzo is a Literary Agent with Speilburg Literary. In Adult Fiction, Eva represents Romance novels (all subgenres except inspirational) and Science Fiction/Fantasy novels. She also represents all subgenres of Young Adult Fiction. She is interested in submissions from diverse authors. Learn more about Eva here, as well as her specific interests and what is seeking from writers.

Amaryah Orenstein is a literary agent with Go Literary. Amaryah has always loved to read and provide (oftentimes unsolicited) editorial advice and, as a literary agent, she is thrilled to help writers bring their ideas to life. She is particularly drawn to narrative nonfiction and memoir but enjoys any book that connects the reader to its characters and evokes thought and feeling. Learn more about Amaryah here.

Erin Hosier is a literary agent with Dunow, Carlson and Lerner. Erin primarily works with nonfiction authors and has a special interest in popular culture, music biography, humor, women’s issues and memoir.  She has been a literary agent since 2001 (currently with Dunow Carlson & Lerner), and was an original co-host of the Literary Death Match. Learn more about Erin here.

Kaitlyn Johnson is a literary agent with Belcastro Literary Agency. “As a Literary Agent with Belcastro Literary Agency, I am accepting submissions for Upper MG, as well as Young Adult and Adult. I’d love more LGBTQ+ storylines in all genres and ages (especially bi, ace, and trans voices!). I’m also very much looking for more main characters living with mental health issues or disability.” Kaitlyn also seeks graphic novels for all ages. She does not want picture books or nonfiction. Learn more about Kaitlyn here.

Reiko Davis is a literary agent with Defiore and Company. Reiko’s interests are varied, but she is particularly drawn to narrative journalism on the topics of pop culture, science/psychology, and current events as well as memoir that focuses on social justice, issues of race and gender, and the history and experiences of women and people of color. For fiction, she’s primarily looking for upmarket and literary novels, specifically set in contemporary times. She loves young, underrepresented voices, magical realism, and voice driven coming-of-age stories. On the children’s side, she’s actively looking for YA and middle grade projects that aren’t afraid to tackle big questions or important emotional truths, and do so through remarkable storytelling, humor, and heart. Right now she’s especially on the lookout for middle grade nonfiction projects (STEM focused, DIY, inspirational, activist driven, historical) and for adult rom com. She’d also love to connect with promising writers of short fiction with a strong initial publication record with magazines/literary journals who are now at work on a story collection and/or a debut novel. Learn more about Reiko here.

Jennifer Herrington is a literary agent with Harvey Klinger Literary Agency. “I am currently building a diverse list of authors and illustrators. I represent picture books, chapter books, middle grade, young adult, and adult genre fiction. (In adult fiction, she seeks romance, funny rom-coms, women’s fiction, fresh cozy mystery, and graphic novels.) No matter the genre or age group, I am looking for books that make feel (whether it’s laugh or cry or both!), distinctive voices, and character-driven stories that revolve around tough issues.” Learn more about Jennifer here.

Elizabeth Copps is a literary agent with Copps Literary Services, LLC. “I specialize in middle grade, young adult, and adult fiction in the following genres: contemporary with a literary bent, historical, horror, magical realism, thriller/mystery/suspense, book club, and women’s fiction. In nonfiction, I seek platform-driven memoir and biography. I’m drawn to fresh takes on timeless plots–stories that are thought provoking and discussion spurring. I love complex characters who are brimming with personality and burst off the page.” Learn more about Elizabeth here.

Alec Shane is a literary agent with Writers House. “On the fiction side, I love mysteries, thrillers (although I’m experiencing a bit of terrorist fatigue at the moment), bad-ass protagonists with a chip on their shoulders, beautifully told historical fiction (The Vietnam War, the Maccabees, and The American Revolution fascinate me in particular), well-researched adventure stories, and great horror – I haven’t been scared to turn off the light in far too long and something needs to be done about it. In terms of children’s books, getting boys to read again is especially important to me, and thus I’m particularly on the lookout for a fun middle-grade adventure series, ghost story, or anything else geared toward younger male readers. On the nonfiction side, I’m attracted to odd, quirky histories, military history, biographies of people I didn’t even know existed (but definitely should have), “guy” reads, humor, narrative nonfiction that sheds light on under-the-radar events and lifestyles, and all things sports. I’m also currently up in the air as to whether or not I believe in ghosts, hauntings, and the supernatural, so if you have something that can convince me one way or the other, I’d love to see it.” Learn more about Alec here.

Analieze Cervantes is a literary agent with The Harvey Klinger Literary Agency. “I’m especially open to BIPOC and LGBTQ voices.” She represents author-illustrators for picture books and graphic novels. She seeks middle grade and young adult fiction. For adult fiction, she seeks thriller and suspense, mystery, contemporary romance, romantic suspense, romantic comedies, paranormal, science fiction, and crime fiction. Learn more about Analieze here.

Joëlle Delbourgo is a literary agent with Joëlle Delbourgo Associates. She and co-agents are seeking: fantasy, middle-grade, mystery, new adult, science fiction, thriller, young adult, upscale and/or quality commercial women’s fiction. In nonfiction, she seeks biography, business and career, current events, health, history, memoir, narrative nonfiction, parenting, popular reference, psychology, popular culture, science. Learn more about Joelle here.

Jill Marr is an agent at the Sandra Dijkstra Literary Agency. Jill is looking for fiction and nonfiction by BIPOC and Latinx writers, disabled persons, and people identifying as LGBTQ+, among others. She is interested in commercial fiction, with an emphasis on mysteries, thrillers, and horror, book club, and historical fiction. She is also looking for nonfiction by authors with a big, timely, smart message as well as historical projects that look at big picture issues. Jill is looking for non-fiction projects in the areas of current events, science, history, narrative non-fiction, sports, politics, health & nutrition, pop culture, humor, music, and very select memoir. Learn more about Jill here.

Latoya C. Smith is a literary agent with LCS Literary. In fiction, she seeks high-concept women’s fiction; high-concept mystery, thriller and horror, romance (contemporary, romantic suspense, cowboys, historical, LGBTQ, paranormal, sweet), comedy / romantic comedy, and young adult (no SF/F). In nonfiction, she is strictly seeking platform and market-based books in the areas of memoir, how to, advice, relationships, health, wellness, politics, current events, history, sports, pop culture, and business. Learn more about Latoya here.

Jared Johnson is a literary agent with Olswanger Literary. “I mostly represent science fiction, fantasy (any kind), magical realism, mystery, and thriller, but I am currently working on some historical fiction. In nonfiction, I am looking for narrative-driven books, and I am drawn to accessible scholarship that engages with current social issues. In particular, I am interested in works that challenge long-held cultural narratives.” Learn more about Jared here.

Paige Terlip is a literary agent at Andrea Brown Literary Agency. Paige represents all categories of children’s books from picture books to young adult, as well as select adult fiction and nonfiction. She is also actively building her list of illustrators and is especially looking for author-illustrators and graphic novel illustrators. On the adult side she is open to thrillers/psychological suspense, fantasy/sci-fi, upmarket fiction, cozy mysteries, as well as narrative nonfiction and self-help that centers the mind, body, and spirit. She loves stories that make her feel a range of emotions, even if that means she ugly cries while reading. She wants a narrative that will stick with her long after reading. Learn more about Paige here.

Savannah Brooks is a literary agent with Jennifer De Chiara Literary. She is seeking: “I mainly represent kid-lit (PB, MG, and YA). In picture books, I’m searching for projects that teach about and celebrate different cultures and places in the world and those that tackle serious topics in really accessible ways. For MG, I learn very heavily into action-adventure, especially those based on global folklore and mythology, and I love a snarky narrator and spooky situations. In YA, I’m looking for multicultural and queer perspectives on everything from modern teen experiences to reframing classic tropes like vampires and witches. I’ve been particularly wanting to see some horror. Mostly, I’m invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters. I am very selective about taking on fiction works for adult audiences, but when I do, I look for two genres: 1) contemporary novels that walk the line of being funny while still adding to a larger sociopolitical conversation, and 2) thrillers that add to a larger sociopolitical conversation (but are NOT law-enforcement focused, including FBI/CIA). I would love to hear more from marginalized voices, regardless of whether or not marginalization is a central theme.” Learn more about Savannah here.

Gordon Warnock is a literary agent founding partner at Fuse Literary. In nonfiction, he seeks platform-heavy authors in the categories of memoir (Adult, NA, YA, Graphic), cookbooks/Food Narrative/Food Studies,  Illustrated/Art/Photography (especially graphic nonfiction), Political and Current Events, Pop-Science, Pop-Culture (especially punk culture and geek culture), Self-Help, How-To, Humor, Pets, Business and Career. In fiction, he seeks High-Concept Suspense, Book Club Women’s Fiction,  Literary Fiction for Adults through YA, and Graphic Novels for Adults through MG. Learn more about Gordon here.

Linda S. Glaz is a literary agent with Hartline Literary. List of specific wants: “I don’t connect with a lot of nonfiction, but would always be happy to have peek. However, if you’ve got a great romance, either contemporary, suspense, or historical fiction, you’ll probably make me happy. Please no works that include any graphic sexuality or profanity. Please no children’s books. And any other genre, if well-written, will certainly get my notice. Well-written…well-written…well-written. I’m not choosy as long as it’s …well-written.” Learn more about Linda here.

Cecilia Lyra is an associate agent at P.S. Literary representing adult fiction and nonfiction. In terms of nonfiction, Cecilia is seeking Psychology, Pop Culture, Science, Business, and Lifestyle from experts in their fields with an original angle, as well as compelling memoirs—both long-form and memoir-in-essays. As for fiction, Cecilia is passionate about voice-y Literary Fiction and fast-paced Commercial Fiction. She adores reading about dysfunctional families from the point-of-view of a morally ambiguous protagonist. Books that are centered around feminist issues have a special place in her heart. Above all else, Cecilia is looking for a story she can’t put down. Learn more about Cecilia here.

Amy Giuffrida is a literary agent with Jennifer De Chiara Literary. “​I am always looking for #ownvvoices stories written by traditionally underrepresented authors that feature BIPOC and LGBTQ+ characters.” In middle grade and young adult, she seeks horror, romance, contemporary, and mystery. In adult fiction, she seeks horror, romance, romantic comedies, and psychological thrillers. In nonfiction (all ages from MG to adult), ” I am looking for powerful stories from diverse voices, including cookbooks that highlight family stories or ancestral anecdotes.” Learn more about Amy here.

 

 

 

        More 2021 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$149 — EARLY BIRD base price for registration to the 2021 NCWW and access to all workshops, all days. (You also get 10 additional free pre-recorded webinars on writing and publishing.) As of early 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for North Carolina Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Speculative fiction of all kind (fantasy / science fiction / horror) across adult or young adult:  Faculty member E.J. Wenstrom, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the North Carolina workshop specifically.

REGISTRATION:

ONLINE: The 2021 NCWW is an Online Conference to keep everyone safe, on November 13, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The NCWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the North Carolina workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2021 North Carolina Writing Workshop.

Get to Know an Agent in Attendance: Elizabeth Kracht of Kimberley Cameron & Associates

Elizabeth Kracht is a literary agent with Kimberley Cameron & Associates.

Elizabeth joined Kimberley Cameron & Associates in the fall of 2010 to broaden her perspective on the publishing industry. She represents both literary and commercial fiction as well as nonfiction, and brings to the agency experience as a former acquisitions editor, freelance publicist and writer.

Elizabeth’s career in publishing took root in Puerto Rico where she completed her BA in English and worked as a copyeditor for an English-language newspaper. When she returned to the mainland she found her “vein of gold” in book publishing. She thrives on working closely with authors to build their careers.

Elizabeth’s eclectic life experience drives her interests. She appreciates writing that has depth, an introspective voice, and is thematically layered. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings.

In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories.

Get to Know an Agent in Attendance: Jill Marr of Sandra Dijkstra Literary Agency

Jill Marr is an agent at the Sandra Dijkstra Literary Agency.

She graduated from SDSU with a BA in English with an emphasis in creative writing and a minor in history. She has a strong Internet and media background and nearly 20 years of publishing experience. She wrote features and ads for Pages, the literary magazine for people who love books, as well as book ads for publishing houses, magazine pieces, and promotional features for television.

After writing ad copy and features for published books for years, she knows how to find a project’s “hook” and sell it.

Jill is looking for fiction and nonfiction by BIPOC and Latinx writers, disabled persons, and people identifying as LGBTQ+, among others. She is interested in commercial fiction, with an emphasis on mysteries, thrillers, and horror, book club, and historical fiction. She is also looking for non-fiction by authors with a big, timely, smart message as well as historical projects that look at big picture issues. Jill is looking for non-fiction projects in the areas of current events, science, history, narrative non-fiction, sports, politics, health & nutrition, pop culture, humor, music, and very select memoir.

Please note that Jill is specifically not interested in: YA, children’s books, sci-fi, screenplays, poetry, novellas or anything involving unicorns.

Some of Jill’s recent and soon-to-be-published non-fiction includes the New York Times best-selling The Vagina Bible (Citadel Press) by Dr. Jennifer Gunter; Big Dirty Money (Viking) by Jennifer Taub; Use the Power You Have (The New Press) by Congresswoman, Pramila Jayapal; White Women, We Need to Talk (Sounds True) by Karen Fleshman; Keep Marching (Hachette) by Kristin Rowe-Finkbeiner, the co-founder of MomsRising; Aurora (Berkley Press) by Dr. Lynne Fenton; Ali on Ali (Workman) by the daughter of Muhammad Ali, Hana Ali; Being Heumann (Beacon Press) by American disability activist Judith Heumann; Building a Business with a Beat (McGraw Hill) by the founder and CEO of Jazzercize, Inc. Judi Sheppard Misset; The Trigger Trap (Chicago Review Press) by August McLaughlin and Jamila M. Dawson; Walking Through Anger (Sounds True) by Dr. Christian Conte, the host of USA Networks’ The Secret Life of Kids; paranormal investigator Nick Groff’s Chasing Spirits (NAL); The Tsarina’s Lost Treasure (Pegasus Books) by Gerald Easter and Mara Vorhees; Escaping the Rabbit Hole (Skyhorse) by science writer and professional debunker Mick West; The Chosen Few (Da Capo) by USA Today writer Gregg Zoroya; Teaching Kids to Think (Sourcebooks) by Darlene Sweetland, PhD and Ron Stolberg, PhD; Mission High (Nation Books) by journalist Kristina Rizga; Don’t Lick the Minivan (Skyhorse) by Leanne Shirtliffe; and Spitting in the Soup (VeloPress) by Mark Johnson.

 

Get to Know an Agent in Attendance: Paige Sisley of CookeMcDermid Literary Management

Paige Sisley is an literary agent at CookeMcDermid Literary Management.

She is seeking well-written upmarket fiction that both entertains and has something to say, and she is always on the lookout for non-fiction in the memoir, lifestyle, and health & wellness areas.

In addition to managing her own list, Paige oversees CookeMcDermid clients’ film and TV rights and handles marketing and publicity for the agency. Previously, she was a rights assistant for Cooke International, an agency specializing in foreign rights management for a diverse group of publishing clients.

Paige has her Master of Arts from Ryerson University’s Literatures of Modernity program and a Bachelor’s degree in English from the University of King’s College and Dalhousie University. A born and bred Torontonian, she lives for a good adventure and has also resided in LA, New Zealand and Halifax.

Get to Know an Agent in Attendance: Elizabeth Copps of Copps Literary Services, LLC

Elizabeth Copps is a literary agent with Copps Literary Services, LLC.

“I specialize in middle grade, young adult, and adult fiction in the following genres: contemporary with a literary bent, historical, horror, magical realism, thriller/mystery/suspense, book club, and women’s fiction. In nonfiction, I seek platform-driven memoir and biography.

“I’m drawn to fresh takes on timeless plots–stories that are thought provoking and discussion spurring. I love complex characters who are brimming with personality and burst off the page. Who are irreverent and dark. Smart and sarcastic. Creative and wise. There are only so many settings and themes to expound on, but every single person is different, which means there are limitless combinations of character traits a writer can play with. That’s pretty amazing. The King said it best regarding what it means to create a complex character: “Bad writing usually arises from a stubborn refusal to tell stories about what people actually do―to face the fact, let us say, that murderers sometimes help old ladies cross the street.

“In the summer of 2010, I used my savings to move from Florida to New York City with the goal of doing something—anything—related to books. Luckily it worked, and I was offered an internship with Maria Carvainis Agency, Inc., where I discovered my passion for publishing. For the past decade, I’ve dedicated myself to the care and management of author careers. My business philosophy is simple: to foster relationships across the industry that are equitable, transparent, and long-lasting.”