2024 Carolina Writing Workshops: March 8 (Charlotte) and March 9 (Raleigh)

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful many previous successful Carolina events, Writing Day Workshops is excited to announce The 2024 Carolina Writing Workshops — two separate full-day “How to Get Published” writing events in North Carolina — Charlotte (March 8, 2024) and Raleigh (March 9, 2024).

These writing events are a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the events. All questions about the events regarding schedule, details and registration are answered below. Thank you for your interest in the 2024 Carolina Writing Workshops! We are very proud of our many success stories where attendees sign with agents following events — see our growing list of success stories here.

(Please note that these are in-person events. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW events are in-person event happening in Charlotte on Friday, March 8, 2024; and Raleigh on Saturday, March 9, 2024. See you there.)

WHAT ARE THE EVENTS?

These are a pair of special one-day “How to Get Published” writing workshops on Friday, March 8, 2024 (Charlotte) and Saturday, March 9, 2024 (Raleigh), at venues to be determined. In other words, the workshops are both one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent and editor faculty so far includes:

  • literary agent Tracey Adams (Adams Literary) – CHARLOTTE
  • literary agent La Sheera Lee (SBR Media) – BOTH CHARLOTTE & RALEIGH
  • literary agent Kaylee Zou (Williamson Literary) – RALEIGH
  • literary agent Andrea Hurst (Andrea Hurst Literary) – RALEIGH
  • literary agent Nikki Terpolowski (Holloway Literary) – RALEIGH
  • literary agent Melissa Jeglinski (Knight Agency) – RALEIGH
  • editor Georgia McBride (Swoon Romance, Month9, Tantrum Books) – RALEIGH
  • and more to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Chuck Sambuchino of Writing Day Workshops. E-mail him to register for the event at WritingDayWorkshops@gmail.com.

EVENT LOCATIONS & DETAILS:

venues TBD

(Please note that these are in-person events. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW events are in-person event happening in Charlotte on Friday, March 8, 2024; and Raleigh on Saturday, March 9, 2024. See you there.)

THIS YEAR’S SESSIONS & WORKSHOPS (MARCH 8-9 2024):

What you see below is a quick layout of the day’s events. The topics below are mostly set, but subject to change. You can see a more detailed layout of the day’s classes on the Schedule Page here.

Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:

8:30 – 9:30: Check-in and registration at the event location.

BLOCK ONE: 9:30 – 10:30

1. Everything You Need to Know About Agents and Query Letters. This workshop is a thorough crash course in dealing with literary agents.

2. Leveraging Social Media To Build Your Author Brand. Building your author brand is essential for all aspiring authors, regardless of your writing level. Learn how to leverage smart content development strategy and social media management to build your platform.

Screen Shot 2015-12-30 at 1.44.34 AMBLOCK TWO: 10:45 – 11:50

1. How Do I Decide? Traditional vs. Indie Publishing
. There is plenty of information available on both traditional and self-publishing. But how do you choose between the two?

2. Four Ways Book Authors Make Money from Publishers: How Authors Go from Fingers on Keyboard to Dollars in Bank Account. Examine the four major ways authors make money from traditional book publishing.

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

LUNCH ON YOUR OWN: 11:50 – 1:15

Lunch is on your own during these 85 minutes.

BLOCK THREE: 1:15 – 2:30

1. “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2. How to Sell a Nonfiction Book. This session is completely devoted to nonfiction that is not memoir. So if you are trying to create a nonfiction book proposal, this presentation is for you.

BLOCK FOUR: 2:45 – 3:45

1. Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.

2. Character-Centered Worldbuilding in Science Fiction and Fantasy. In this presentation, a literary agent will share his approach to crafting fantasy worlds rooted in character conflict, demonstrating an approach to let exposition flow naturally while that the same time raising the emotional stakes of the story.

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

BLOCK FIVE: 4:00 – 5:00

1. Decolonizing Fiction. This class will focus on challenging the notion of there being an ideal and normative writing craft method. It centers an anti-colonial worldbuilding approach to telling our stories, and why that approach is so important to the publishing industry today.

2. Ten Keys to Writing Success. Learn 10 things you can be doing right now that will help get your book(s) published and have more control over your writing destiny.

SESSIONS END: 5:00

At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Tracey Adams (CHARLOTTE ONLY), literary agent, co-founded Adams Literary in 2004. “Our clients’ work spans every age and every genre—from picture books to middle grade and young adult fiction, from historical novels and fantasy to books that tackle important contemporary issues. While we give every submission careful consideration, we look for unforgettable, life-changing books: literary stories, high-concept speculative fiction, unique fantasy adventure, humor, and character-driven picture books. At this time, we only consider picture book submissions from author-artists (someone who is both author and artist of their work, not a team). We gravitate toward the timeless, not the trendy. We don’t typically handle textbooks, novelty, craft, how-to or coloring books—and we don’t handle any adult works.” Learn more about Tracey here.

La Sheera Lee (BOTH CHARLOTTE & RALEIGH) is a literary agent at SBR Media. “The genres I prefer are Romantic Suspense, Contemporary Romance, Young Adult, Urban Lit, Erotica, Suspense/Thriller, Christian Fiction, & Women’s Lit. I may consider others outside of these to represent.” Award-winning blogger, La Sheera Lee, M.Ed., is a wife, mother, educator, podcaster, moderator, literary event planner, and magazine contributor. She is on a mission to help others to see the beauty of their own voices. Learn more about La Sheera here.

Melissa Jeglinski (RALEIGH ONLY) is a literary agent with The Knight Agency. She is seeking: “I would really love to find a project that captures my attention immediately. For me, this means a strong opening chapter, wonderfully engaging characters, unexpected twists and turns, and a very satisfying ending. No projects over 100k words, please. She is seeking Contemporary Romance which is lighter in tone, has a sense of humor and a premise that is out of the box. Diverse characters welcome. She enjoys Historical Fiction set in periods other than WWII. Also looking for contemporary and historical intertwined timelines. Prefer strong female protagonists. She enjoys Cozy Mysteries with a unique premise but no paranormal edge. Planned series a plus. She also represent Middle Grade fiction with a heartwarming message or just pure entertainment. Fun and flawed realistic characters. Contemporary and historical settings but no paranormal or fantasy. Learn more about Melissa here.

Kaylee Zou (RALEIGH ONLY) is a literary agent with Williamson Literary. In Adult Fiction, the agency seeks:  upmarket, contemporary, literary, and commercial; character-driven women’s fiction, book club fiction, domestic suspense, adventure, international, upbeat, feel-good, dark and dangerous, fiction with fantastical elements or magical realism, poignant social commentaries, humor, satire, new takes on old tropes. Pitch us writing that sings rather than tells, take us on an emotional journey, build vivid scenes for us, craft strong voices and unusual and unforgettable settings (we love stories where place is a character too). Any subject is welcome. In Nonfiction, the agency seeks: history, sports, science, environmental, biographies, travel, culture, adventure, educational, motivational (i.e. work that informs or inspires social change or advocates for women and BIPOC). Give thought to your author platform and develop a strong marketing section for your book proposal. Learn more about Kaylee here.

Georgia McBride (RALEIGH ONLY) is the creator of Georgia McBride Media Group is home of Month9Books, Swoon Romance, and Tantrum Books. Swoon Romance is a digital-first romance imprint from Georgia McBride Media Group that publishes romance for all audiences from Teen to Mature audiences. We practice a hybrid distribution model of self distribution, but also work with InScribe and IPG. Month9Books publishes speculative fiction for teens and tweens, where nothing is as it seems. We published our first title in 2012 and our first full list published in 2013. From concept to cover, Tantrum Books brings kidlit stories to life for readers aged 7+. Learn more about Georgia here.

Andrea Hurst (RALEIGH ONLY) is a literary agent and the founder of Andrea Hurst & Associates. She is seeking: Women’s Fiction: Upmarket/Book Club, Romance, Historical, Contemporary, Thriller/Suspense/Mystery, Prescriptive Non-Fiction/Memoir,  Science Fiction/Fantasy (Space Opera, Military Science Fiction, Paranormal, Urban Fantasy), Cookbooks, YA Contemporary/YA Thriller. “We are always on the lookout for #OwnVoices authors, writing about their own experiences.” Learn more about Andrea here.

Nikki Terpilowski (RALEIGH ONLY) is a literary agent with Holloway Literary. She is seeking: romance; women’s fiction; Southern gothic; alternate histories; grounded science fiction and fantasy; speculative thrillers, Westerns (traditional and fresh takes in contemporary, historical, mystery, romance); multi-generational women’s fiction (standalone or series) about an African-American family (showing Black joy, family dynamics/relationships, etc. not racism, discrimination and oppression as part of their experience); young adult fiction; and nonfiction on the craft of writing or screenwriting, North Carolina history, culinary, hobbies, arts and crafts, plants/herbs. Learn more about Nikki here.

 

 

        More 2024 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$169 — EARLY BIRD base price for registration to either 2024 CWW event and access to all workshops, all day. Pricing is the same for both workshops. As of fall 2023, registration is now OPEN. The $169 price is the same for both separate events: Charlotte (March 8, 2024) and Raleigh (March 9, 2024).

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing  list of success stories an be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the day’s instructors. (This rate is a special event value for Carolina Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 10-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:

  • Editor list forthcoming
  • More critique options possibly forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by credit card, PayPal, or check. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Carolina workshops specifically.

REGISTRATION:

Because of limited space at the venues, each one-day workshop can only allow 150 registrants. For this reason, we encourage you to book sooner rather than later.

(Please note that these are in-person events. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next CWW events are in-person event happening in Charlotte on Friday, March 8, 2024; and Raleigh on Saturday, March 9, 2024. See you there.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com. Brian will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Carolina workshops specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2024 Carolina Writing Workshop.

Future Carolina Writing Workshops — And Conferences Happening in 2023

Our past Carolina Writing Workshop events were successes — thank you to all who attended! The CWW conference has happened multiple times before, and we at Writing Day Workshops have loved connecting writers and literary agents, and seeing so many success stories from our events.

We are not certain exactly when in 2024 the next CWW event will happen. That said, if you’d like to attend a writers conference in late 2023, we have online events coming up to suit your needs. For our online writers conferences, anyone can attend from anywhere. Each monthly online event has great instructional classes and 30-40 attending literary agents! Don’t let your location stop you from connecting with publishing professionals and furthering your writing journey. Details:

If you have questions, or want to register for any 2023 writers conferences, either online events or in-person events, contact us (Brian Klems) at WritingDayWorkshops@gmail.com and we are happy to assist. Writers can sign up for more than one event. If you and several people from your writing group all want to register together, ask us about a group discount.

All online classes are recorded and sent out to attendees afterward, so you can study the instruction and enjoy the experience. All virtual pitches are one-on-one with literary agents seeking writers, and done over Zoom (though phone is also an option). Thanks, all, and we hope to see you in 2023 at an event!

Get to Know an Editor in Attendance: Georgia McBride of Swoon Romance, Month9 Books, and Tantrum Books

Georgia McBride (RALEIGH CONFERENCE ONLY) is the creator of Georgia McBride Media Group is home of Month9Books, Swoon Romance, and Tantrum Books.

Swoon Romance is a digital-first romance imprint from Georgia McBride Media Group that publishes romance for all audiences from Teen to Mature audiences. Our first title, CAPTIVATED BY YOU by New York Times and USA Today bestseller Diane Alberts, published in November 2012. Since then, we have had many Amazon and Barnes and Noble best sellers, with Amazon category best sellers in the US, Canada, UK, Australia, and Germany. We are home to New York Times and USA Today bestselling authors such as Stacey Mosteller, Diane Alberts, Kenya Wright, and Tamara Mataya as well as international bestselling authors Lizzy Charles, Alla Kar, Natalie Decker, Cassie Mae, and more. We practice a hybrid distribution model of self distribution, but also work with InScribe and IPG.

Month9Books publishes speculative fiction for teens and tweens, where nothing is as it seems. We published our first title in 2012 and our first full list published in 2013.

From concept to cover, Tantrum Books brings kidlit stories to life for readers aged 7+.

——————–

Drawing from her experience at veteran branded companies like Viacom, Madison Square Garden, eBay, Toysrus, and ASCAP, Georgia is one of Publishers Marketplace’s most prolific editors, and has spent most of 2014 through 2019 atop the editors lists in Editors, Young Adult, Digital New Adult, Children’s, and Digital deals. She’s completed over 400 publishing deals on behalf of three imprints and consulting clients since March 2012.

Books published by Georgia McBride have been Junior Library Guild Selections, Scholastic Book Club and Reading List Selections, Kirkus Prize nominees, Bram Stoker Award nominees, Moonbeam winners, and winners of various regional and local SCBWI awards. Books she’s published have been sold to Hungary, Turkey, Slovakia, Korea, Czech Republic, Greece, UK, Denmark, Australia, and New Zealand.

Georgia’s published and edited works by NYT bestsellers such as Gretchen McNeil, Nancy Holder, Sayantani DasGupta, and more.

In 2022, Georgia began offering consulting services for content companies in publishing or publishing adjacent verticals. Her recent clients include Inkitt and Hot Ghostwriter.

In 2023, Georgia began literary management representation of Sapir A. Englard, author of the International bestseller, THE MILLENNIUM WOLVES, which has had over 125 million views.

 

Get to Know an Agent in Attendance: Melissa Jeglinski of The Knight Agency

Melissa Jeglinski (RALEIGH CONFERENCE ONLY) is a literary agent with The Knight Agency.

A graduate of Clarion University of Pennsylvania, where she majored in English with a writing concentration, Melissa began her career as an editor with Harlequin Enterprises. Looking to work with a variety of authors and genres, she joined The Knight Agency in 2008.

With over two decades experience in the publishing industry, Melissa has fostered her clients to National prominence including a recent Newbery Honor. She is a member of RWA and AAR.

She is seeking:

• I would really love to find a project that captures my attention immediately. For me, this means a strong opening chapter, wonderfully engaging characters, unexpected twists and turns, and a very satisfying ending. No projects over 100k words, please.

• Contemporary Romance which is lighter in tone, has a sense of humor and a premise that is out of the box. Diverse characters welcome.

• Historical Fiction set in periods other than WWII. Also looking for contemporary and historical intertwined timelines. Prefer strong female protagonists.

• Cozy Mysteries with a unique premise but no paranormal edge. Planned series a plus.

• Middle Grade fiction with a heartwarming message or just pure entertainment. Fun and flawed realistic characters. Contemporary and historical settings but no paranormal or fantasy.

Recent and upcoming titles include Aimie K. Runyan’s ACROSS THE WINDING RIVER, Sarah Warburton’s ONCE TWO SISTERS, Ginger Garrett’s NAME TAGS AND OTHER SIXTH GRADE DISASTERS, and Rosemarie Ross’s FINISHED OFF IN FONDANT.

Get to Know an Agent in Attendance: Andrea Hurst of Andrea Hurst & Associates

Andrea Hurst (RALEIGH CONFERENCE ONLY) is a literary agent and the founder of Andrea Hurst & Associates.

She is seeking: Women’s Fiction: Upmarket/Book Club, Romance, Historical, Contemporary, Thriller/Suspense/Mystery, Prescriptive Non-Fiction/Memoir,  Science Fiction/Fantasy (Space Opera, Military Science Fiction, Paranormal, Urban Fantasy), Cookbooks, YA Contemporary/YA Thriller. “We are always on the lookout for #OwnVoices authors, writing about their own experiences.”

Andrea works as a literary agent with both bestselling and emerging new authors to help polish their book, obtain publication, increase sales, and build their author brand.

Andrea brings over 25 years experience in the publishing industry, including her work as a literary agent. She is also a developmental book editor for publishers and authors, a bestselling Amazon author, an instructor for the MFA creative writing program at the Northwest Institute of Literary Arts, and a webinar presenter for Writer’s Digest. As a literary agent, she selectively represents high profile adult nonfiction and well-crafted genre fiction.

 

Get to Know an Agent in Attendance: Nikki Terpilowski of Holloway Literary

Nikki Terpilowski (RALEIGH CONFERENCE ONLY) is a literary agent with Holloway Literary.

She is seeking: romance; women’s fiction; Southern gothic; alternate histories; grounded science fiction and fantasy; speculative thrillers, Westerns (traditional and fresh takes in contemporary, historical, mystery, romance); multi-generational women’s fiction (standalone or series) about an African-American family (showing Black joy, family dynamics/relationships, etc. not racism, discrimination and oppression as part of their experience); young adult fiction; and nonfiction on the craft of writing or screenwriting, North Carolina history, culinary, hobbies, arts and crafts, plants/herbs.

After achieving a B.A. in English and Marketing, with a minor in creative writing and a graduate degree in international relations, Nikki who has been a bookworm from way back decided she wanted to learn more about the publishing industry.

She interned in the industry while working in marketing communications and then established Holloway Literary in 2011. You can find her @AWomanReading on Twitter and Instagram discussing her favorite topics: books, wine, beer & whiskey, history, travel and southern living.

WISHLIST SPECIFICS:

Romance:

Looking for excellent writing and voice, relatable, likable heroines, dashing Alpha rakes, old tropes, fresh spins.

Aphrodite And The Duke by JJ McAvoy
Tying The Scot by Jennifer Tretheway
Royally Screwed by Emma Chase (with a lower heat level)

Young Adult & YA Speculative:

Beautiful atmospheric settings, princess-core, interesting world-building, high stakes.

Within These Wicked Walls by Lauren Blackwood
Dread Nation by Justina Ireland
The Belles by Dhonielle Clayton
The Selection by Kiera Cass
Interview With The Robot by Lee Bacon

Speculative Fiction (Sci-fi & fantasy):

Dark, spooky, propulsive fiction.

Mexican Gothic by Silvia Moreno-Garcia
My Soul To Keep by Tananarive Due
Midnight Is A Lonely Place by Barbara Erskine

Women’s Fiction:

Family relationships, small towns, emotional, secrets.

Big Lies In A Small Town by Diane Chamberlain
The Favorite Daughter by Patti Callahan Henry
The Recipe Box by Viola Shipman
Island Of Sweet Pies And Soldiers by Sara Ackerman
The Marriage Of Opposites by Alice Hoffman

Domestic Thrillers:

Scary, psychological, page-turners.

Behind Closed Doors by BA Paris

Science Fiction/Alternate Realities

Looking for super-grounded fiction with speculative elements, often within a government, military or research-based context.

Underground Airlines by Ben Winters
The Rise And Fall Of D.O.D.O by Neal Stephenson
Version Control by Dexter Palmer

Thrillers:

ISO espionage and military thrillers by BTDT authors with threats beyond the usual suspects.

The Expats by Chris Pavon
Red Widow by Alma Katsu
One Second After by William R. Forstchen

Southern Nonfiction:

Would love to find interesting, alternative, controversial ideas, and voice-driven Southern history.

The Best Cook In The World by Rick Bragg
The Secret Life Of Bacon Tait

Not Looking For

Plots that focus on the Mafia
Mysteries featuring professional detectives/investigators
Grief/Trauma/Loss-based plots or themes
Cozy mysteries
Plots that focus on murder/serial killers/death
WWI/WW2/Vietnam-war era historical settings
Crimes against children
Assaults of any kind
Legal thrillers/courtroom dramas
Hot mess heroines

Get to Know an Agent in Attendance: Kaylee Zou of Williamson Literary

Kaylee Zou (RALEIGH CONFERENCE ONLY) is a literary agent with Williamson Literary.

Kaylee graduated from Johns Hopkins University with a double major in Writing Seminars and English in May of 2020. Since graduating, she has worked as a Technical Writer in the DC area. Recently, she left the corporate world and began pursuing writing her first novel full-time.

Kaylee joins Williamson Literary out of her passion for literature and writing while she continues to work on her manuscript. To many’s dismay, one of Kaylee’s favorite activities is spoiling movies and books for herself, and as such Wikipedia is her most visited website. Her favorite genre of content to consume is sad–anything tragic will do. Kaylee loves reality television, taking naps, and promenading around the ton like they do in Bridgerton. Having recently quit coffee, she promptly entered an identity crisis but found herself again in green tea. So it is with a belly full of green tea that Kaylee supports Williamson Literary as Associate Agent.

What the agency represents:

Nonfiction: history, sports, science, environmental, biographies, travel, culture, adventure, educational, motivational (i.e. work that informs or inspires social change or advocates for women and BIPOC). Give thought to your author platform and develop a strong marketing section for your book proposal.

Adult Fiction:  upmarket, contemporary, literary, and commercial; character-driven women’s fiction, book club fiction, domestic suspense, adventure, international, upbeat, feel-good, dark and dangerous, fiction with fantastical elements or magical realism, poignant social commentaries, humor, satire, new takes on old tropes. Pitch us writing that sings rather than tells, take us on an emotional journey, build vivid scenes for us, craft strong voices and unusual and unforgettable settings (we love stories where place is a character too). Any subject is welcome.

What we do Not represent:

– The heavily partisan, inflammatory, or hateful
– Children’s picture books, Middle Grade or Young Adult
– Genre Romance or Erotica
– Horror (as a strict genre, but we like classic horror elements)
– Hard Science Fiction and High Fantasy (again as a strict genre, but we love out-of-this-world stories)

Get to Know an Agent in Attendance: La Sheera Lee of SBR Media

La Sheera Lee (BOTH CHARLOTTE & RALEIGH CONFERENCES) is a literary agent at SBR Media.

“The genres I prefer are Romantic Suspense, Contemporary Romance, Young Adult, Urban Lit, Erotica, Suspense/Thriller, Christian Fiction, & Women’s Lit. I may consider others outside of these to represent.”

Award-winning blogger, La Sheera Lee, M.Ed., is a wife, mother, educator, podcaster, moderator, literary event planner, and magazine contributor. She is on a mission to help others to see the beauty of their own voices.

La Sheera, also known for her savvy as a social media strategist and book influencer, loves to help people connect the dots. She utilizes the power of social media to inspire, inform, and educate on a global level.

She is also the founder of the artistic event Lights! Camera! Action! #LCA is an experience that integrates books and the arts into an interactive weekend. Readers, authors, and publishing experts converge to have a weekend that is literally one for the books.

You can also catch her FB Live (Cool Conversations with La Sheera Lee ) or Clubhouse (Cool Conversations Club), chatting it up with some of your favorite authors and industry professionals.

Your goals are too powerful to give up! Keep Shining!

Get to Know an Agent in Attendance: Tracey Adams of Adams Literary

Tracey Adams (CHARLOTTE CONFERENCE ONLY), literary agent, co-founded Adams Literary in 2004, after nearly a decade with literary agencies Writers House and McIntosh & Otis, where she was the head of the children’s department. Prior to becoming an agent, she worked in the marketing and editorial departments of Greenwillow Books and Margaret K. McElderry Books.

“Our clients’ work spans every age and every genre—from picture books to middle grade and young adult fiction, from historical novels and fantasy to books that tackle important contemporary issues.

“While we give every submission careful consideration, we look for unforgettable, life-changing books: literary stories, high-concept speculative fiction, unique fantasy adventure, humor, and character-driven picture books. At this time, we only consider picture book submissions from author-artists (someone who is both author and artist of their work, not a team). We gravitate toward the timeless, not the trendy. We don’t typically handle textbooks, novelty, craft, how-to or coloring books—and we don’t handle any adult works.”

A graduate of Mount Holyoke College, Tracey speaks frequently about her profession and the children’s book industry at conferences across the country. She is a member of the Society of Children’s Book Writers and Illustrators (SCBWI), the Association of Author Representatives (AAR), and a founding member of the Women’s National Book Association (WNBA) chapter in Charlotte.

In her spare time, Tracey enjoys traveling, playing tennis, cheering for the Carolina Panthers, and test-marketing children’s books with her two daughters.

 

The 2023 Carolina Writing Workshop: July 7-8, 2023

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, 2019, and 2021 events in North Carolina, Writing Day Workshops is excited to announce The 2023 Carolina Writing Workshop — an online “How to Get Published” writing event on July 7-8, 2023. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2023 Carolina Writing Workshop!

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on July 7-8. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on July 7-8, 2023. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Carolina” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2023 CWW agent & editor faculty so far includes:

  • literary agent Mariah Stovall (Trellis Literary)
  • literary agent Gordon Warnock (Fuse Literary)
  • literary agent Ariele Fredman (United Talent Agency)
  • literary agent Laura Southern (Wolf Literary Services)
  • literary agent Coco Freeman (Linda Chester Literary Agency)
  • literary agent Cheyenne Faircloth (Handspun Literary)
  • literary agent Reiko Davis (DeFiore & Company)
  • literary agent Claire Draper (The Bent Agency)
  • literary agent Carlie Webber (Fuse Literary)
  • editor Meg Gaertner (Flux & Jolly Fish Press)
  • literary agent Tori Sharp (Jennifer De Chiara Literary)
  • literary agent Marin Takikawa (The Friedrich Agency)
  • literary agent Kate Davids (Arc Literary Management)
  • literary agent Kiele Raymond (Thompson Literary Agency)
  • literary agent Lori Galvin (Aevitas Creative Management)
  • literary agent Leticia Gomez (Savvy Literary / Kensington Books)
  • literary agent Renée C. Fountain (Gandolfo Helin & Fountain Literary)
  • literary agent Kelly Thomas (Serendipity Literary)
  • literary agent Cindy Bullard (Birch Literary)
  • literary agent Jaidree Braddix (Park & Fine)
  • literary agent Kristen Terrette (Martin Literary Management)
  • literary agent Shannon Lechon (Azantian Literary Agency)
  • literary agent Lindsay Flanagan (Tobias Agency)
  • literary agent Latoya C. Smith (Arthouse Literary)
  • literary agent Adrian Shirk (Drift(less) Literary)
  • literary agent Paul Levine (Paul Levine Literary)
  • literary agent Erin Clyburn (Howland Literary)
  • literary agent Eric Smith (P.S. Literary)
  • and more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops. Contact him at WDWconference@gmail.com to register.

EVENT LOCATION & DETAILS:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on July 7-8. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (JULY 7-8, 2023):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, JULY 7, 2023

9:30 – 10:30: Wrangling With Plot: How to Pace Your Story. In this session, a USA Today bestselling author leads you on a step-by-step course for plotting a storyline that balances the need for fresh ideas against the need for meeting reader expectations.

10:45 – 11:45: 10 Querying Tips. Your manuscript is done! Next step: Querying! But — how do you query an agent? What should you include in your query letter? How do you even start writing a query? These questions and more will be answered in this class. The top ten tips have been collected from various interviews with literary agents.

11:45 – 1:15: Break

1:15 – 2:30: How to Sell Nonfiction: Demystifying the Nonfiction Book Proposal. Whether you’re working on a memoir, an essay collection, a wellness book, or even a cookbook, a lot of the elements are the same — demonstrating why you’re the one to write it, showcasing your writing, and digging into your platform.

2:45 – 3:45: What A Writer Needs to Publish Their First Book. The session outlines in detail the steps needed after writers complete their first draft of a novel or other full-length book. Topics covered include getting feedback, doing revisions and working with editors and beta readers, as well as how to proceed to the marketing phase of your journey with queries, synopses, loglines, and Twitter pitches.

4:00 – 5:00: Chills and Thrills in Young Adult: How to Build Thrills and Suspense in Your Writing, to Keep the Pages Turning. No matter if you writing a genre such as thriller/suspense, or something else, you can learn how to create a suspense and tension in your stories beyond using action scenes. (Though the author-instructor writes young adult books, these tips can also apply to adult fiction and any adult fiction genre.)

* * * * *

SATURDAY, JULY 8, 2023

9:30 – 10:30: How to Find and Work With a Literary Agent. This speech will cover key topics such as how to: research literary agents, craft a successful query letter and navigate the querying process, vet and sign with an agent, develop a positive, enduring author/agent relationship, and ensure you feel heard and empowered as you move through your career as a writer.

10:45 – 11:45: Graphic Novels: How to Write Them, and What Any Writer Can Learn From Them. A literary agent who represents graphic novels for a variety of ages will talk about what goes into making a graphic novel, how you can get started writing one yourself, why they’re so popular right now, and what any writer of any genre can learn from studying them.

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from CWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: Ever Wanted to Create a Writing/Author Podcast? Among the many options available to writers to build their platforms, podcasting — as a host or as a guest — is one of the fastest growing, and for good reason. Learn how to use podcasting to grow your author platform.

 

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Eric Smith is a literary agent at P.S. Literary Agency, with a love for young adult books, literary fiction, science fiction, fantasy, and nonfiction. Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in young adult (particularly sci-fi and fantasy), middle grade, and literary and commercial fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of non-fiction, he’s interested in cookbooks, pop culture, humor, middle grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

Meg Gaertner is a senior editor with Flux and Jolly Fish Press. She is seeking young adult works in all genres and voices. In young adult, she is happy to consider contemporary, science fiction, historical fiction, horror, thrillers, mystery, contemporary fantasy, genre-blending stories, “out-of-the-box” stories that combine social commentary with a killer voice and a fresh premise, diversity representation, and more. Learn more about Meg here.

Tori Sharp is a literary agent with The Jennifer De Chiara Literary Agency.  She does not represent adult fiction. Currently, she is solely on the lookout for children’s graphic novels, and middle grade manuscripts (especially fantasy, high-concept fiction, and memoirs). “I love to see silliness, silliness, silliness. I like prose that is strange and joyful, while also being grounded, smart, and evocative; I love a balance of humor and heartfelt moments. I have a soft spot for chaotic/trickster characters, proactive main characters, riddles and lateral thinking problems in the narrative, thoughtful neurodivergent representation, LGBTQ+ characters, and invisible disabilities. If your project features healthy, reciprocal friendships, creativity, geekery, saying ‘no,’ or kids with big dreams, send it my way.” Learn more about Tori here.

CoCo Freeman is a literary agent with Linda Chester Literary Agency. “I am looking for smart adult commercial fiction in a variety of genres, including mystery/thriller/suspense, fantasy, romance, women’s fiction and historical, Young/New Adult, Middle Grade and select picture books.” Learn more about CoCo here.

Ariele Fredman [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with United Talent Agency (UTA). She is looking for character-driven fiction that will make her cry, mystery and thriller with bite and a jaw-dropping final sentence; romance with a relatable main character, witty (realistic) dialogue and sense of adventure, and novels with hooks that straddle the line between commercial and literary. Learn more about Ariele here.

Kristen Terrette is a literary agent with Martin Literary Management. Kristen is a literary manager excited to build her list featuring titles in middle grade, young adult, female-driven crime thrillers, faith-based books, and the occasional picture book with an author/illustrator. Kristen has long been a voice for diversity. She’s written extensively on topics of racial reconciliation and unity and is a facilitator of groups around these topics in her church. In all her focused genres, she welcomes books with BIPOC or disabled main characters and diverse friendships. Kristen is seeking middle grade (all genres except sci-fi), young adult (all subgenres except sci-fi), women’s crime thriller, faith-based fiction and faith-based memoirs, and picture books by author-illustrators. Learn more about Kristen here.

Claire Draper is a literary agent with The Bent Agency. “I am building my list with a collection of very queer books for kids of all ages, including graphic novels, picture books, middle grade, and young adult. And then I embarked on books for adults, when I decided to return to my favorites with particularly queer memoir, queer romance novels, and select adult nonfiction. For all the books I work with, I prefer to work with queer creators and BIPOC creators, and strongly encourage those creators to send me their work. Regardless of genre, age, or subject, I like lighthearted, emotional, hopeful, adventurous reads. I am largely genre-agnostic, but I do prefer books with a fast pace, high stakes, and strong emotional development for the main character(s). I do not want to see books from authors writing identity-based books not of their own identity.” Learn more about Claire here.

Reiko Davis [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with DeFiore & Company. Reiko’s interests are varied, but on the adult side she’s primarily seeking literary and book club fiction. She loves historical, contemporary, or multigenerational novels both in the U.S. and internationally; family sagas; voice-driven coming-of-age stories; the occasional rom-com; and fierce, compassionately written works that grapple with identity and belonging and portray diverse lived experiences. She’d love to connect with promising writers of short fiction who are at work on a debut story collection and/or novel. She also represents select narrative non-fiction projects that explore social justice, issues of race and gender, and the history and experiences of women and people of color. She consumes a lot of true crime in her free time so is open to seeing projects in the vein of I’ll Be Gone in the Dark. On the children’s side, Reiko is actively looking for middle grade fiction and nonfiction. Learn more about Reiko here.

Laura Southern [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Wolf Literary Services. In adult, she is looking for fantasy, science fiction, and horror with lush worldbuilding and voice that vibrates off the page. She’s a fan of villains, setting as character, and stories that dive headfirst into the weird or strange. Romcoms and fantasy romcoms with sharp, witty prose are also high on her list, as well as upmarket fiction with off-beat premises. As a Texan native, Laura has a soft spot for narratives set in the South, particularly when told from diverse perspectives and featuring LGBTQ+ narrators. In young adult and middle grade, Laura is interested in speculative fiction across any subgenre, as well as select contemporary fiction. Laura loves the fae, talking/magical animals, marching band, new twists on quest narratives, genre-blending, found family, mythological retellings, and dragons. Additionally, Laura is looking for memoir and narrative nonfiction. She’d especially like to work with scientists, journalists, and other experts writing on animal and nature conservation. Learn more about Laura here.

Jaidree Braddix is a Literary Agent with Park & Fine Literary & Media. Jaidree represents a broad range of nonfiction authors who are changing the ways we think about, talk about, and move through the world we live in. Her clients are Guinness World Record-holding athletes, activists who are challenging societal standards and institutions, trailblazers who have created globally trending wellness movements, and acclaimed thought leaders in the fields of psychology, neuroscience, business, and organizational behavior. Specializing in platform-driven nonfiction, Jaidree is committed to helping authors turn their assets—be they courageous ideas, academic studies, foundations for social good, popular podcasts, transformative programs, or online communities—into compelling proposals and noteworthy books. Learn more about Jaidree here.

Cheyenne Faircloth is a literary agent with Handspun Literary Agency.  Cheyenne is most interested in manuscripts from historically excluded communities, i.e. queer, BIPOC, AAPI, neurodivergent, and disabled voices. Her interests include YA, Southern Gothic, folkloric elements, gothic romances, fantasy stories with political elements and well-grounded world building, non-western mythology, sports romances in conversation with institutional issues/sexism/gender, and creatures from myth told through a queer allegorical lens. Learn more about Cheyenne here.

Renee C. Fountain is a literary agent, publishing industry veteran, a reviewer for Kirkus and New York Journal of Books, and a book scout for The CW Network. She is the president of Gandolfo, Henlin and Fountain Literary. Renee is looking for all types of adult and YA fiction and nonfiction. She prefers: thrillers, horror/dark fantasy, urban/contemporary fantasy, humor, science fiction, pop culture, memoirs, and narrative/commercial. Learn more about Renee here.

Marin Takikawa [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with The Friedrich Agency. For fiction, I’m looking for character-driven upmarket and literary fiction. In particular, I’m always driven by the need to understand people and discover the various kinks that aren’t visible from the surface—what drives them? What do they desire most but can’t get? I’m particularly enamored by genre-bending works, fiction with a speculative or magical bent, literary suspense, narratives about complex family relationships, and those that subvert forms of power, specifically neocolonialist ones. My tastes in Young Adult are similar, although with more focus on speculative concepts and maybe surprisingly, contemporary rom-coms like LOVE & GELATO, ANNA & THE FRENCH KISS, and TELL ME THREE THINGS. In nonfiction, I gravitate toward memoirs that balance personal narratives with engaging and insightful research and/or cultural analysis. I’m also looking for narrative nonfiction that is resistant and radical in nature, that questions why we have the institutions, ideas, and systems we have in place. Learn more about Marin here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Leticia Gomez is the editorial director for Kensington Books and Dafina. Leticia is the Editorial Director for Dafina Books, an imprint of Kensington Publishing Corp., which focuses on high-quality fiction and nonfiction that centers on race, identity, and its impact on our experiences. Dafina’s carefully curated list is a home for dynamic stories that innovate and amplify voices too long ignored through books that entertain, challenge, and inspire. Launched in 2000 as the first African-American imprint, Dafina has led the market for more than twenty years in highlighting voices of color. Leticia is actively seeking to acquire multicultural fiction and nonfiction of all genres, including literary fiction, commercial fiction, historical fiction, romance, mystery, and narrative nonfiction of all genres with a focus on authors of color (BIPOC) hailing from all walks of life, as well as specific nonfiction projects for marginalized communities. In addition to her role at Kensington, Leticia is a prominent literary/film/television agent who specializes in bringing culturally diverse voices to the forefront. Savvy Literary is now an industry leader specializing in Self-help, Narrative Non-fiction, Memoir, True Crime, Spiritual/Inspirational, Political/Current Affairs, Suspense/Thriller, Family Drama, and the Young Adult market. Championing the work of minority writers continues to be a top priority for the agency. Learn more about Leticia here.

Kate Davids is a literary agent with Arc Literary Management. Kate is looking for nonfiction projects, particularly practical nonfiction, in cooking, personal finance, business, pets/animals, gardening, mental health, and new age. She also enjoys history books that delve into interesting subcultures, like anime or tabletop RPGs. In fiction, Kate has a soft spot for science fiction and fantasy that has great action and world building that leverages real world cultures or histories. She loves fiction that represents diverse cultural backgrounds in their settings and characters. For children’s books, Kate is looking for titles that can help both parents and their children explore the world together. This includes bi-lingual books and books about travel and multi-culturalism. She also likes a good laugh and an “aww” moment or two. Learn more about Kate here.

Erin Clyburn [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Howland Literary. Erin represents middle grade fiction, YA fiction, and adult fiction and nonfiction. In MG and YA, she is looking for horror, mystery, thriller, big-hearted contemporary, and grounded stories with magical or speculative elements. In adult fiction, she is most interested in upmarket and literary fiction, and she gravitates toward the dark and strange: horror, thriller, mystery, and grounded stories with speculative or magical elements. Send her your weirds. In nonfiction, she’s interested in intersectional perspectives and is looking for narrative nonfiction, memoir, and deep dives into topics including pop science, nature, food and culinary history, and sports and adventure. An Alabamian with Louisiana roots, Erin is particularly interested in Southern literary and upmarket fiction from diverse voices in the above genres. Learn more about Erin here.

Latoya C. Smith [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent and Co-Founder of Arthouse Literary. Latoya is looking for projects in a variety of fiction and nonfiction categories. For fiction: women’s fiction, book club and upmarket fiction, general commercial fiction, LGBTQ stories, fast-paced thrillers, and contemporary romance. For nonfiction, an established platform is a must! Latoya is open to the following subgenres: Memoir, How-to/Advice and Relationships, Health and Wellness, Politics/Current Events/Social Justice, Sports, Pop-culture, Business/Entrepreneurship, Personal Finance. Learn more about Latoya here.

Shannon Lechon is a literary agent with Azantian Literary Agency. She is looking for middle grade fiction and young adult fiction. In adult fiction, she is looking for literary books with a speculative element that feel lush and magically possible. She is also interested in manuscripts that incorporate elements of myth, especially if they are from underrepresented cultures or give voice to figures often forgotten. She is looking for mysteries and thrillers. Speculative horror is a massive favorite of hers. For graphic novels, Shannon is looking for young adult fantasy that is grounded in our world (right now, she is only interested in taking on author/illustrators). She is interested in select adult nonfiction proposals. She’s looking for memoirs about specialized careers and experiences, as well as proposals on medicine, trauma, wildlife, nature, and mental health. Learn more about Shannon here.

Lori Galvin is a literary agent with Aevitas Creative Management. “I represent both fiction and nonfiction writers for the adult market. For fiction, I am especially interested in working with writers of crime (suspense, thrillers, horror, and mysteries); bookclub fiction or upmarket commercial fiction (including women’s fiction, historical, grounded speculative or grounded sci-fi). I’m drawn to novels with vivid voices and strong emotions and I’m a passionate advocate for all voices. And for nonfiction, I am interested in working with food writers, writers on culture, and true crime writers.” Learn more about Lori here.

Cindy Bullard [SOLD OUT OF PITCH APPOINTMENTS] is a senior literary agent with Birch Literary. She is seeking: Please do not submit unfinished work. In adult fiction, Cindy is looking for traditional mysteries (standard PI, classic detective, or cozy), true crime, police procedural, thriller, and suspense. In children’s fiction, Cindy would like to see middle grade and YA (sweet, quirky, mystery, cozy). Please do not pitch MG or YA that has dark or heavy topics. At this time, please do not pitch romance or picture books. In nonfiction, Cindy loves books about nature (kids and adults), memoir, self-help from experts, and personal narrative. Learn more about Cindy here.

Mariah Stovall is a lterary agent with Trellis Literary. She is actively seeking writers with strong voices and intersectional and interdisciplinary perspectives. She works on adult literary and upmarket fiction, narrative nonfiction, essay collections and memoir. She’s most passionate about music, mental health/illness, Black America, linguistics, histories of objects and ideas, pop science, and deep dives into subcultures and social movements, but great writing can get her interested in any topic. Learn more about Mariah here.

Adrian Shirk is an agent at Drift(less) Literary. She is seeking: I represent long-form literary fiction (novels, novellas, autofiction, or linked short stories) and first person-driven narrative nonfiction (memoir, essay collections, reportage, special areas of research where the author is present in the text, e.g. not objective or scholarly). I also consider self-help or how-to books on subjects in which the author has had a significant amount of personal or professional experience. I’m especially interested in working with under-represented voices and stories, especially women and nonbinary folks, working class authors (or authors with working class backgrounds), LGBTQ+, and writers of color. I occasionally consider some genre (horror) or speculative fiction (sci-fi), but only if the stories and themes are somewhat socially-engaged (think, Octavia Butler, Ursula Leguin, Margaret Atwood). Learn more about Adrian here.

Lindsay Flanagan of Tobias Literary Agency is an agent assistant, editor, and author living in Utah. As of 2023, she is now taking on her own clients. She’s looking for adult work only in fantasy (all categories), mystery, thriller, romance, women’s fiction, upmarket, and maybe even a thriller. Her dream acquisition would have been The Night Circus. She likes work that has hints of magic and a bit of darkness. She is open to all voices and is seeking a diverse list of authors to represent with a particular interest in seeing work from Indigenous creators. Lindsay is also happy to take pitches on behalf of co-agent Jacqui Lipton. Jacqui is head of the Adult Department, although she selectively represents children’s books, particularly middle grade and young adult novels and nonfiction. Jacqui is open to pretty much anything but has a soft spot for genre fiction (mystery/thriller, romance, selective science fiction). Jacqui is not the best fit for high fantasy (think Game of Thrones) or books with animal protagonists. Jacqui is open to unique takes on nonfiction but is not seeking memoir currently. Learn more about Lindsay and Jacqui here.

Gordon Warnock is a literary agent and Partner with Fuse Literary. In nonfiction: Gordon seeks large-platform projects in which the book represents something bigger than the book itself, of which you are the expert, the one best fit to bring it to the page. He enjoys Memoir and Biography, Food, Graphic and Illustrated Nonfiction, Essays on Social Issues, Pop-Science, Pop/Punk/Geek Culture, Self-Help, Historical Narrative, Humor, How-To, Business and Career. In fiction: High-Concept Suspense, Book Club Women’s Fiction, Literary Fiction,  Verse Novels for YA and MG, and Graphic Novels for Adults, Young Adult, and Middle Grade. Learn more about Gordon here.

Kelly Thomas is a literary agent with Serendipity Literary. Kelly considers herself a generalist who is drawn to lyrical writing and strong voices. She is interested in nonfiction (narrative nonfiction, memoirs, true crime, self-help, business, travel writing, photography, medical, STEM, psychology, health and fitness, music, food & drinks, cooking) and adult fiction (psychological thrillers, suspense, comedies). She enjoys working with musicians, television personalities, athletes, and other pop culture figures to help translate their stories or expertise onto the page. She also represents children’s books including picture books, middle grade, and young adult. The truth is often stranger than fiction, so Kelly is actively looking for the next great true crime manuscript with a murderous and methodical plot. Learn more about Kelly here.

Kiele Raymond is a senior literary agent with Thompson Literary Agency.  She is seeking: bold new voices in literary fiction and narrative nonfiction. Her list includes critically acclaimed and award winning writers such as Lee Matalone, Tana Wojczuk, Ari Braverman, Peace Adzo Medie, Nichole Perkins, Destiny O. Birdsong, and Candice Wuehle. Learn more about Kiele Raymond here.

Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. Learn more about Carlisle here.

 

 

        More 2023 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2023 CWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of late 2022, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. Our bigger, growing list of success stories can be seen here.

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the workshop’s former instructors. (This rate is a special event value for Carolina Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get a phone/Zoom critique meeting with the faculty member. Options:

  • Romance, women’s fiction, domestic suspense, and young adult fiction: Faculty member Swati Hegde, an author and freelance editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Adult romance and young adult romance, both contemporary or paranormal: Faculty member A.S. Green, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you for 15 minutes in person at the 2023 MWW to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Picture books, middle grade, adult science fiction & fantasy. Also young adult contemporary, magical realism, fantasy and sci-fi (nothing too dark; no horror): Faculty member Amanda Sun, an author as well as editor at Scholastic Canada, will get your work in advance, critique the first 10 double-spaced pages of your book, talk with you virtually (Zoom/phone) for 15 minutes workshop to discuss her thoughts, and pass along written critique notes. If you are submitting a picture book, make the submission 1000 words maximum, and it can or cannot include illustrations.
  • More critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Carolina workshop specifically.

REGISTRATION:

ONLINE: Writing Day Workshops plans both in-person and virtual/online conferences. The 2023 CWW is an Online Conference, on July 7-8. Online events are easy and awesome, and the virtual events we’ve done thus far have received wonderful feedback. You do not have to be tech-savvy to do this, and understand we are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The CWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Carolina workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2023 Carolina Writing Workshop.