After a successful launch in 2015, Writing Day Workshops is excited to announce The 2019 North Carolina Writing Workshop — a full-day “How to Get Published” writing event in Charlotte, NC, on April 13, 2019.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2019 North Carolina Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, April 13, 2019, at the Westin Charlotte. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:
- literary agent Melissa Jeglinski (The Knight Agency)
- literary agent Amelia Appel (TriadaUS Literary)
- literary agent Nikki Terpilowski (Holloway Literary)
- literary agent Abby Saul (The Lark Group)
- literary agent Sally McMillan (Sally Hill McMillan & Associates)
- literary agent Tessa Emily Hall (Hartline Literary)
- literary agent Dawn Michelle Hardy (Dream Relations PR & Literary Consulting)
- and many more agents to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Jessica Bell of Writing Day Workshops, with help from local writing groups.
THIS YEAR’S PRESENTER/INSTRUCTOR
Brian A. Klems (@BrianKlems) is the former online editor of WritersDigest.com. His blog during his tenure there, The Writer’s Dig—which covered everything writing and publishing—was one of the largest blogs in the writing community. Brian’s first book, Oh Boy, You’re Having a Girl: A Dad’s Guide to Raising Daughters (Adams Media) was released in April 2013. It received high-level buzz and praise from some of the funniest writers alive, including Dave Barry and Bruce Cameron. Brian is also a proud graduate of the Ohio University E.W. Scripps School of Journalism, a husband, softball infielder, perennial fantasy sports underachiever, and father of three lovely little girls.
EVENT LOCATION & DETAILS
9:30 a.m. – 5:00 p.m., Saturday, Nov. 3, 2018, at the Westin Charlotte, 601 S College St, Charlotte, NC 28202. (704)375-2600.
WORKSHOP SCHEDULE & INSTRUCTORS (APRIL 13, 2019)
9 – 9:30: Check-in and registration at the event location.
9:30 – 10:30: “A Bird’s-eye View Publishing & Books in the Year 2019.” This workshop is quick & easy overview of the publishing industry today, and how it’s changing. The speech is designed to educate writers and help them understand what publishing options exist for them today and why it’s an exciting time to be a writer.
10:30 – 11:45: “Tips on How to Write Like the Pros.” This workshop is a thorough crash course concerning craft, style and voice. We’ll discuss nuts & bolts tips for sentence construction like how to avoid passive tense, how to use vivid language, how to self-edit your own work, how to make your characters memorable, the art of compelling dialogue, and much more.
11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance on the block.
1:15 – 2:30: “Writers’ Got Talent: A Page One Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with our 4 attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)
2:50 – 4:00: “25 Questions You Need Answered Before You Seek an Agent or Self-Publish Your Book.” Before you publish your work or query an agent, there are plenty of things you need to know — such as how to submit to agents properly, how to find the best self-publishing service for your need, what social media channels you should be on already, how to launch your book right, how to draft a compelling query/pitch and synopsis, how to find other writers who can help you, and much more.
4:00 – 5:00: “25 Questions You Need Answered After You Seek an Agent or Self-Publish Your Book.” After you self-publish your work or get a traditional publishing book deal, there are plenty of things you need to know — such as how to promote yourself, how to keep your career going with multiple books, how you cross between the words of self-publishing and traditional publishing (i.e., use them both) to make the most money, how to build a readership, and much more.
All throughout the day: Agent & Editor Pitching.
PITCH AN AGENT!
Nikki Terpilowski is a literary agent and founder of Holloway Literary. She seeks Southern fiction, historical fiction, young adult, women’s fiction, literary fiction, mysteries, thrillers, romance (contemporary, historical and romantic suspense), cozy mysteries, science fiction (including Afrofuturist fiction), and African-American fiction of all types. For nonfiction, she seeks books related to mindfulness, healthy eating (Paleo, gluten-free, etc.), regional/ethnic/fusion cookbooks, foodie subjects, travel, alternative simple living, i.e. homesteading, minimalism, etc, interesting self-help (personal and professional), military experiences, Civil War, and Southern living. Learn more about Nikki here.
With over 10 years of publishing experience, literary agent Abby Saul of The Lark Group is an editorial expert with a passion for fantastic reads. She is seeking: great and engrossing adult commercial and literary fiction. This includes general fiction, mystery, suspense/thriller, literary fiction, women’s fiction, and historical fiction. Learn more about Abby here.
Melissa Jeglinski is a literary agent with The Knight Agency. Melissa is currently seeking projects in the following areas: romance (contemporary, category, historical, inspirational), young adult fiction (no science fiction or fantasy), middle grade novels, excellent women’s fiction, and mystery. Learn more about Melissa here.
Sally McMillan is a literary agent and the founder of Sally Hill McMillan & Associates. She is seeking: literary fiction, mainstream fiction, women’s fiction, and mystery. For nonfiction, she seeks history, lifestyle, health, and mind/body/spirit. Please do not pitch her science fiction, military, horror, fantasy, adventure, children’s books (or any kind), or cookbooks. Learn more about Sally here.
Dawn Michelle Hardy is a literary agent with Dream Relations PR & Literary Consulting. Dawn sticks to nonfiction. She likes memoir writers who can capture a larger narrative through their personal story and strong hook, best-in-class professionals and educators in a variety of fields, an engaging and outspoken cultural critic, pop-culture, sports or music enthusiast with a “hip” idea from an untold vantage point. Creatives who use art as activism. She wants to hear from loud millennials, women, and multicultural voices looking to better the world through their writing. Learn more about Dawn here.
Amelia Appel is a literary agent with TriadaUS. For adult fiction, she is most interested in literary fiction, mystery, thriller, upmarket women’s fiction, science fiction and fantasy, and horror. Projects with a smart, distinct voice, a fantastic setting to jump into, and/or a witty protagonist are all up her alley. She is not looking for romance novels. For adult nonfiction, she is primarily looking for creative nonfiction, humor, sports, how-to, pop culture, and true crime. She is not looking to represent memoir. Learn more about Amelia here.
Tessa Emily Hall is a literary agent with Hartline Literary. She is searching for young adult and middle grade (specifically contemporary, issue-driven fiction, YA romance, historical, and speculative fiction). She especially enjoys stories in these genres that have a compelling premise and authentic teen/tween voice. Other genres she considers include Christian Living, devotional, children’s picture books, fantasy, science fiction, dystopian, literary fiction, new adult, and contemporary Christian/inspirational women’s fiction. She will not represent the following genres: horror, thrillers, mystery/crime, erotica, or memoir. Learn more about Tessa here.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$169 — EARLY BIRD base price for registration to the 2019 NCWW and access to all workshops, all day, on April 13, 2019. As of October 2018, event registration for 2019 is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I signed with my agent, Patricia Nelson, after
meeting her at the Arizona Writing Workshop.”
– writer Axie Oh
“I officially signed with agent Renee Nyen of KT
Literary. I met her at the Colorado Writing
Workshop.” – writer Jessie Hilb Akos
“After taking pitches at the Michigan Writing
Workshop, I signed writer Kyle Prue as a new
client.” – literary agent Veronica Park
“After taking pitches at the Alabama Writing
Workshop, I met Erin Hollis at a pitch session, and
she is now my newest client.” – agent Julie Gwinn
Add $69 — for an in-depth, personal critique of your one-page query letter from instructor Brian Klems. (This rate is a special event value for North Carolina Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop.
- Southern fiction, literary fiction, mainstream fiction, women’s fiction: Faculty member Lorna Hollifield, a published Southern fiction author, will get your work in advance and edit the first 10 double-spaced pages of your story. Lorna is the author of the upmarket Southern fiction novel, Tobacco Sun, and is represented by Kimberly Whalen of Whalen Literary. She is a former officer with the South Carolina Writers Association. She will meet with you for 10 minutes at the event to discuss her critique, and pass on notes. Learn more about Lorna at her website.
- More options forthcoming.
How to pay/register — Registration is now open. Reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Charlotte workshop specifically.
Because of limited space at the venue of the Charlotte Westin, the workshop can only allow 150 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The NCWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Charlotte workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)