Get to Know an Agent in Attendance: Elizabeth Kracht of Kimberley Cameron & Associates

Elizabeth Kracht is a literary agent with Kimberley Cameron & Associates.

Elizabeth joined Kimberley Cameron & Associates in the fall of 2010 to broaden her perspective on the publishing industry. She represents both literary and commercial fiction as well as nonfiction, and brings to the agency experience as a former acquisitions editor, freelance publicist and writer.

Elizabeth’s career in publishing took root in Puerto Rico where she completed her BA in English and worked as a copyeditor for an English-language newspaper. When she returned to the mainland she found her “vein of gold” in book publishing. She thrives on working closely with authors to build their careers.

Elizabeth’s eclectic life experience drives her interests. She appreciates writing that has depth, an introspective voice, and is thematically layered. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings.

In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories.

Get to Know an Agent in Attendance: Jill Marr of Sandra Dijkstra Literary Agency

Jill Marr is an agent at the Sandra Dijkstra Literary Agency.

She graduated from SDSU with a BA in English with an emphasis in creative writing and a minor in history. She has a strong Internet and media background and nearly 20 years of publishing experience. She wrote features and ads for Pages, the literary magazine for people who love books, as well as book ads for publishing houses, magazine pieces, and promotional features for television.

After writing ad copy and features for published books for years, she knows how to find a project’s “hook” and sell it.

Jill is looking for fiction and nonfiction by BIPOC and Latinx writers, disabled persons, and people identifying as LGBTQ+, among others. She is interested in commercial fiction, with an emphasis on mysteries, thrillers, and horror, book club, and historical fiction. She is also looking for non-fiction by authors with a big, timely, smart message as well as historical projects that look at big picture issues. Jill is looking for non-fiction projects in the areas of current events, science, history, narrative non-fiction, sports, politics, health & nutrition, pop culture, humor, music, and very select memoir.

Please note that Jill is specifically not interested in: YA, children’s books, sci-fi, screenplays, poetry, novellas or anything involving unicorns.

Some of Jill’s recent and soon-to-be-published non-fiction includes the New York Times best-selling The Vagina Bible (Citadel Press) by Dr. Jennifer Gunter; Big Dirty Money (Viking) by Jennifer Taub; Use the Power You Have (The New Press) by Congresswoman, Pramila Jayapal; White Women, We Need to Talk (Sounds True) by Karen Fleshman; Keep Marching (Hachette) by Kristin Rowe-Finkbeiner, the co-founder of MomsRising; Aurora (Berkley Press) by Dr. Lynne Fenton; Ali on Ali (Workman) by the daughter of Muhammad Ali, Hana Ali; Being Heumann (Beacon Press) by American disability activist Judith Heumann; Building a Business with a Beat (McGraw Hill) by the founder and CEO of Jazzercize, Inc. Judi Sheppard Misset; The Trigger Trap (Chicago Review Press) by August McLaughlin and Jamila M. Dawson; Walking Through Anger (Sounds True) by Dr. Christian Conte, the host of USA Networks’ The Secret Life of Kids; paranormal investigator Nick Groff’s Chasing Spirits (NAL); The Tsarina’s Lost Treasure (Pegasus Books) by Gerald Easter and Mara Vorhees; Escaping the Rabbit Hole (Skyhorse) by science writer and professional debunker Mick West; The Chosen Few (Da Capo) by USA Today writer Gregg Zoroya; Teaching Kids to Think (Sourcebooks) by Darlene Sweetland, PhD and Ron Stolberg, PhD; Mission High (Nation Books) by journalist Kristina Rizga; Don’t Lick the Minivan (Skyhorse) by Leanne Shirtliffe; and Spitting in the Soup (VeloPress) by Mark Johnson.

 

Get to Know an Agent in Attendance: Paige Sisley of CookeMcDermid Literary Management

Paige Sisley is an literary agent at CookeMcDermid Literary Management.

She is seeking well-written upmarket fiction that both entertains and has something to say, and she is always on the lookout for non-fiction in the memoir, lifestyle, and health & wellness areas.

In addition to managing her own list, Paige oversees CookeMcDermid clients’ film and TV rights and handles marketing and publicity for the agency. Previously, she was a rights assistant for Cooke International, an agency specializing in foreign rights management for a diverse group of publishing clients.

Paige has her Master of Arts from Ryerson University’s Literatures of Modernity program and a Bachelor’s degree in English from the University of King’s College and Dalhousie University. A born and bred Torontonian, she lives for a good adventure and has also resided in LA, New Zealand and Halifax.

Get to Know an Agent in Attendance: Elizabeth Copps of Copps Literary Services, LLC

Elizabeth Copps is a literary agent with Copps Literary Services, LLC.

“I specialize in middle grade, young adult, and adult fiction in the following genres: contemporary with a literary bent, historical, horror, magical realism, thriller/mystery/suspense, book club, and women’s fiction. In nonfiction, I seek platform-driven memoir and biography.

“I’m drawn to fresh takes on timeless plots–stories that are thought provoking and discussion spurring. I love complex characters who are brimming with personality and burst off the page. Who are irreverent and dark. Smart and sarcastic. Creative and wise. There are only so many settings and themes to expound on, but every single person is different, which means there are limitless combinations of character traits a writer can play with. That’s pretty amazing. The King said it best regarding what it means to create a complex character: “Bad writing usually arises from a stubborn refusal to tell stories about what people actually do―to face the fact, let us say, that murderers sometimes help old ladies cross the street.

“In the summer of 2010, I used my savings to move from Florida to New York City with the goal of doing something—anything—related to books. Luckily it worked, and I was offered an internship with Maria Carvainis Agency, Inc., where I discovered my passion for publishing. For the past decade, I’ve dedicated myself to the care and management of author careers. My business philosophy is simple: to foster relationships across the industry that are equitable, transparent, and long-lasting.”

 

 

Get to Know an Agent in Attendance: Marisa Cleveland of The Seymour Agency

Marisa Cleveland is a literary agent with The Seymour Agency.

According to Publishers Marketplace, she seeks: general fiction, mystery, fantasy, and science fiction. In nonfiction, she accepts business/investing/finance.

In her own words, she seeks “A manuscript I can’t put down until the last page and can’t stop discussing. Voice is definitely key for me. If I’m going to sign (and sell) someone or recommend someone, then the writer’s voice has to speak to me. I have to be able to listen (vocally and on the page) to that writer through revisions and edits and book after book. I want to find characters I want as my best friends and partners-in-crime long after the story ends, whether it’s in this world or an alternate universe.”

Marisa oversees publishing innovations and initiatives by implementing the Agency’s communication strategies and developing the enterprise media strategy. She is responsible for spearheading the Agency’s efforts to identify, inform, and involve the literary community in outreach and advocacy programs.

Marisa has been featured, participated, and moderated at book festivals, panels, and workshops on branding, communication, cultural agility, diversity, leadership development, and the state of the industry.

With more than two decades of experience in the education and publishing industries, Marisa is adamant about supporting efforts toward the betterment of the human condition. Gulfshore Business and D’Latinos magazines honored Marisa with the Arts and Culture 2015 FACE Award, and in 2014, Gulfshore Business selected her as a “40 Under Forty” honoree. In June 2015, her young adult novel hit the New York Times as part of an anthology, and her other works include 8 academic peer-reviewed publications, 1 academic book chapter, and 9 published novels. She earned her doctorate in organizational leadership from Northeastern University, her master’s in educational administration and a bachelor’s in speech communications from George Mason University, and her master’s in English from National University. Marisa is a 2015 Leadership Marco graduate and a Hodges University Board of Trustee member.