Elizabeth joined Kimberley Cameron & Associates in the fall of 2010 to broaden her perspective on the publishing industry. She represents both literary and commercial fiction as well as nonfiction, and brings to the agency experience as a former acquisitions editor, freelance publicist and writer.
Elizabeth’s career in publishing took root in Puerto Rico where she completed her BA in English and worked as a copyeditor for an English-language newspaper. When she returned to the mainland she found her “vein of gold” in book publishing. She thrives on working closely with authors to build their careers.
Elizabeth’s eclectic life experience drives her interests. She appreciates writing that has depth, an introspective voice, and is thematically layered. Having lived in cities such as New York, San Francisco and San Juan, Puerto Rico, she is compelled by multicultural themes and characters and is drawn toward strong settings.
In fiction, she represents literary, commercial, women’s, thrillers, mysteries, historical, and crossover YA. In nonfiction, she is interested in high concept, health, science, environment, prescriptive, investigative, true crime, voice- or adventure-driven memoir, sexuality, spirituality, and animal/pet stories.
She graduated from SDSU with a BA in English with an emphasis in creative writing and a minor in history. She has a strong Internet and media background and nearly 20 years of publishing experience. She wrote features and ads for Pages, the literary magazine for people who love books, as well as book ads for publishing houses, magazine pieces, and promotional features for television.
After writing ad copy and features for published books for years, she knows how to find a project’s “hook” and sell it.
Jill is looking for fiction and nonfiction by BIPOC and Latinx writers, disabled persons, and people identifying as LGBTQ+, among others. She is interested in commercial fiction, with an emphasis on mysteries, thrillers, and horror, book club, and historical fiction. She is also looking for non-fiction by authors with a big, timely, smart message as well as historical projects that look at big picture issues. Jill is looking for non-fiction projects in the areas of current events, science, history, narrative non-fiction, sports, politics, health & nutrition, pop culture, humor, music, and very select memoir.
Please note that Jill is specifically not interested in: YA, children’s books, sci-fi, screenplays, poetry, novellas or anything involving unicorns.
Some of Jill’s recent and soon-to-be-published non-fiction includes the New York Times best-selling The Vagina Bible (Citadel Press) by Dr. Jennifer Gunter; Big Dirty Money (Viking) by Jennifer Taub; Use the Power You Have (The New Press) by Congresswoman, Pramila Jayapal; White Women, We Need to Talk (Sounds True) by Karen Fleshman; Keep Marching (Hachette) by Kristin Rowe-Finkbeiner, the co-founder of MomsRising; Aurora (Berkley Press) by Dr. Lynne Fenton; Ali on Ali (Workman) by the daughter of Muhammad Ali, Hana Ali; Being Heumann (Beacon Press) by American disability activist Judith Heumann; Building a Business with a Beat (McGraw Hill) by the founder and CEO of Jazzercize, Inc. Judi Sheppard Misset; The Trigger Trap (Chicago Review Press) by August McLaughlin and Jamila M. Dawson; Walking Through Anger (Sounds True) by Dr. Christian Conte, the host of USA Networks’ The Secret Life of Kids; paranormal investigator Nick Groff’s Chasing Spirits (NAL); The Tsarina’s Lost Treasure (Pegasus Books) by Gerald Easter and Mara Vorhees; Escaping the Rabbit Hole (Skyhorse) by science writer and professional debunker Mick West; The Chosen Few (Da Capo) by USA Today writer Gregg Zoroya; Teaching Kids to Think (Sourcebooks) by Darlene Sweetland, PhD and Ron Stolberg, PhD; Mission High (Nation Books) by journalist Kristina Rizga; Don’t Lick the Minivan (Skyhorse) by Leanne Shirtliffe; and Spitting in the Soup (VeloPress) by Mark Johnson.
She is seeking well-written upmarket fiction that both entertains and has something to say, and she is always on the lookout for non-fiction in the memoir, lifestyle, and health & wellness areas.
In addition to managing her own list, Paige oversees CookeMcDermid clients’ film and TV rights and handles marketing and publicity for the agency. Previously, she was a rights assistant for Cooke International, an agency specializing in foreign rights management for a diverse group of publishing clients.
Paige has her Master of Arts from Ryerson University’s Literatures of Modernity program and a Bachelor’s degree in English from the University of King’s College and Dalhousie University. A born and bred Torontonian, she lives for a good adventure and has also resided in LA, New Zealand and Halifax.
“I specialize in middle grade, young adult, and adult fiction in the following genres: contemporary with a literary bent, historical, horror, magical realism, thriller/mystery/suspense, book club, and women’s fiction. In nonfiction, I seek platform-driven memoir and biography.
“I’m drawn to fresh takes on timeless plots–stories that are thought provoking and discussion spurring. I love complex characters who are brimming with personality and burst off the page. Who are irreverent and dark. Smart and sarcastic. Creative and wise. There are only so many settings and themes to expound on, but every single person is different, which means there are limitless combinations of character traits a writer can play with. That’s pretty amazing. The King said it best regarding what it means to create a complex character: “Bad writing usually arises from a stubborn refusal to tell stories about what people actually do―to face the fact, let us say, that murderers sometimes help old ladies cross the street.
“In the summer of 2010, I used my savings to move from Florida to New York City with the goal of doing something—anything—related to books. Luckily it worked, and I was offered an internship with Maria Carvainis Agency, Inc., where I discovered my passion for publishing. For the past decade, I’ve dedicated myself to the care and management of author careers. My business philosophy is simple: to foster relationships across the industry that are equitable, transparent, and long-lasting.”
Annalise is a graduate of Lesley University where she earned a B.A. in Creative writing with a double minor in Literature and Women’s, Gender, & Sexuality Studies. She is excited about uplifting stories by authors with marginalized voices and intersectional identities, ultimately making room for the diverse voices that have long since been ignored and suppressed in the literary world and beyond. When she isn’t agenting, Annalise spends an excessive amount of time snuggling with her cat, Mittens, and writing romance novels that are more swoony than strictly necessary.
Annalise is looking for more queer, BIPOC representation across the board, especially in romances that give Happily Ever Afters to complex and palpable characters.
Annalise is looking for narrative nonfiction centering in on women’s stories and queer stories, such as: true crime with a feminist lens (think “We Keep the Dead Close” by Becky Cooper); memoirs that focus on identity (think “Know My Name” by Chanel Miller) or alternative formatting (think “In The Dream House” by Carmen Maria Machado); and research-heavy historical narratives about queer or feminist icons (think “Romantic Outlaws” by Charlotte Gordon).
Romance: Romance is Annalise’s genre of choice, especially when they center on queer and BIPOC protagonists and love interests, such as Talia Hibbert’s “Take a Hint, Dani Brown”. For historical romance, Annalise wants to see queer Regency period novels (think Cat Sebastian), and queer novels set outside of Euro-centric history. Romances about bisexual women sit particularly close to Annalise’s heart. Happily Ever Afters are a must (per rules of the genre, and Annalise’s adoration). Her favorite tropes are enemies-to-lovers; serious-and-sunshine; and second-chance romance. She does not accept erotica or romances featuring unhealthy or abusive relationships to any degree.
Mysteries/Thrillers: Annalise is looking for queer thrillers that function as social commentary such as Alyssa Cole’s “When No One Is Watching”. She loves novels with interesting formats such as compilations of files and articles (think “Night Film” by Marisha Pessl). She is always intrigued by complex who-dun-its. It is hard to sell Annalise on thrillers that feature violence against women as their main plot. She is not a good fit for supernatural, ungrounded thrillers; thrillers that border too close to horror; or thrillers that use the “bury your gays” and/or “fridging” trope.
Commercial/Women’s/Contemporary Fiction: Annalise wants character-driven contemporary fiction that has enough plot movement to keep the reader invested (no character studies, please!). She likes books that use alternative formats (like “Daisy Jones & The Six” by Taylor Jenkins Reid) and question the boundaries of typical contemporary fiction. She loves books that focus in on fictional celebrities or reflect upon fame such as “The Comeback” by Ella Berman and “The Seven Husbands of Evelyn Hugo” by Taylor Jenkins Reid. Books with happy endings are a plus. Annalise also wants fiction featuring change as a thematic focal point with unabashed self-love and romance, like Claire Christian’s “It’s Been A Pleasure, Noni Blake”.
New Adult Annalise wants New Adult romance and contemporary fiction that focuses on found family and a during- or post-college bildungsroman plot. She would especially like to see fiction set immediately post-college that follows the protagonist’s trials and tribulations in the “real world”. It is hard to sell Annalise on a new adult book that doesn’t feature romance in some facet.
Young Adult Fiction
Historical: Annalise wants YA historical fiction that focuses in on a lost perspective such as Stacey Lee’s “The Downstairs Girl”. While it doesn’t have to be a foremost plot, she wants romance in her historical novels. As with all things, having a queer component is going to make work more appealing.
Graphic Novels: Annalise will accept YA graphic novels by author/illustrators (only) who focus in on marginalized experiences (whether in a realistic or fantastical world). She wants sweet graphic novels like “The Tea Dragon Society” by K. O’Neill or emotionally resonant ones like “On A Sunbeam” by Tillie Walden.
Fantasy: Annalise wants heist fantasy stories like “Six of Crows” by Leigh Bardugo that have a found family element and are high-tension. She wants fantasies that aren’t overrun by world-building, but are atmospheric enough to transport the reader; character-driven fantasies (especially with a dabble of romance) are her favorite. She also loves witchy fantasies that focus on queer women of color (think “When We Were Magic” by Sarah Gailey).
Mystery/Thriller: She is looking for mysteries and thrillers that have elements of YA contemporary such as bildungsroman plots and romance (especially LGBTQIA +) but doesn’t stray too far into high-school drama (think “A Good Girl’s Guide to Murder” by Holly Jackson). Like Adult mysteries/thrillers, she does not want anything that ventures too far into horror.
Contemporary: Annalise is looking for quirky and offbeat books that focus in on ride-or-die women-centric friendships. She also wants queer, BIPOC rom-coms like “I Wish You All the Best” by Mason Deaver that have found family elements and are shamelessly romantic. She loves romances that feature large families that are realistic and honest (think Morgan Matson). She does not want stereotypical high-school drama (no mean girls, please!) or tropes like cheating, nor does she want YA Romeo and Juliet retellings in any way, shape, or form.
What she is NOT looking for: Picture Books Middle Grade Horror Science Fiction or Poetry at this time.
According to Publishers Marketplace, she seeks: general fiction, mystery, fantasy, and science fiction. In nonfiction, she accepts business/investing/finance.
In her own words, she seeks “A manuscript I can’t put down until the last page and can’t stop discussing. Voice is definitely key for me. If I’m going to sign (and sell) someone or recommend someone, then the writer’s voice has to speak to me. I have to be able to listen (vocally and on the page) to that writer through revisions and edits and book after book. I want to find characters I want as my best friends and partners-in-crime long after the story ends, whether it’s in this world or an alternate universe.”
Marisa oversees publishing innovations and initiatives by implementing the Agency’s communication strategies and developing the enterprise media strategy. She is responsible for spearheading the Agency’s efforts to identify, inform, and involve the literary community in outreach and advocacy programs.
Marisa has been featured, participated, and moderated at book festivals, panels, and workshops on branding, communication, cultural agility, diversity, leadership development, and the state of the industry.
With more than two decades of experience in the education and publishing industries, Marisa is adamant about supporting efforts toward the betterment of the human condition. Gulfshore Business and D’Latinos magazines honored Marisa with the Arts and Culture 2015 FACE Award, and in 2014, Gulfshore Business selected her as a “40 Under Forty” honoree. In June 2015, her young adult novel hit the New York Times as part of an anthology, and her other works include 8 academic peer-reviewed publications, 1 academic book chapter, and 9 published novels. She earned her doctorate in organizational leadership from Northeastern University, her master’s in educational administration and a bachelor’s in speech communications from George Mason University, and her master’s in English from National University. Marisa is a 2015 Leadership Marco graduate and a Hodges University Board of Trustee member.